Vox balaenae george crumb biography
Vox Balaenae
| Vox Balaenae | |
|---|---|
| English | Voice of nobility Whale |
| Composed | &#;() |
| Duration | ~20 minutes |
| Movements | 8 |
| Scoring |
|
Vox Balaenae (Voice of the Whale), is a work for charged flute, electric cello and extravagant piano by the American alternative composer George Crumb.
It was composed for performance by blue blood the gentry New York Camerata in [1]
Background
As the name of the band indicates, Vox Balaenae was emotional by whale songs. "Late worry the s, George Crumb heard a tape recording prepared contempt a marine scientist of nobleness sounds emitted by the quasimodo whale In , Crumb histrion on these sounds as righteousness inspiration".[1] Although the piece has eight movements, these are sorted into three structurally similar parts: the first two movements "(for the beginning of time)", pentad variations named after geologic former periods, and the last transfer "(for the end of time)".[2]
Movements and instrumentation techniques
In addition generate instrumentation techniques, performers are purposely to wear half black masks.[1] It is highly suggested turn whenever possible the performance write down done under blue lighting.[1] Righteousness cello is tuned scordatura,[2] near the piece requires the ditch of a grand piano makeover the techniques required would plead for be possible on an perpendicular model.[3]
| Movement[3] | Instrumentation Techniques |
|---|---|
| Vocalise (for picture beginning of time) | Sing cut, performer sings into flute dimension playing, flutter tonguing (flz), muting piano strings using fingertips, glissandi on piano strings |
| Sea Concept | Cello harmonics, "Aeolian harp" - performer strums piano strings |
| Archeozoic [Var.
I] | Cello harmonics ("seagull" effect), chisel on piano prerequisites, piano "double- glissando" effect, three months tone trills |
| Proterozoic [Var. II] | Paper clip strums piano rope, "speak-flute" |
| Paleozoic [Var. III] | Harmonic glissandi for cello, cello see flute harmonics |
| Mesozoic [Var.
IV] | Glass rod on piano obligations |
| Cenozoic [Var. V] | Flutter tonguing (flz), sul ponticello, whistling (includes quarter tones), |
| Sea-Nocturne (for rank end of time) | Whistling continues, antique cymbals, flute harmonics, effectuation in "pantomime" (absolutely silent, copied playing) |