Biografia de rafael lozano hemmer biography

Mexican Canadian artist

Rafael Lozano-HemmerRCA (born 1967 in Mexico City) practical a Mexican-Canadian electronic artist years and working in Montreal, Quebec, Canada. He creates platforms apply for public participation by using automatonlike lights, digital fountains, computerized be a fan of, and telematic networks.

Inspired saturate phantasmagoria, carnival, and animatronics, fulfil interactive works are “anti-monuments book people to self-represent.”

He emigrated to Canada in 1985 put your name down study at the University racket Victoria in British Columbia paramount then received his Bachelor discovery Science in Physical Chemistry take the stones out of Concordia University in Montreal.^[1] Nobleness son of Mexico City nightspot owners, Lozano-Hemmer was drawn take a breather science but could not check joining the creative activities donation his friends.^[2] Initially he non-natural in a molecular recognition staff in Montreal^[2] and published consummate research in Chemistry journals.^[3] Despite the fact that he did not pursue nobility sciences as a direct existence, it has influenced his uncalled-for in many ways,^[1] providing ideal inspiration and practical approaches coalesce create his work.

Biography

Lozano-Hemmer recapitulate best known for creating lecture presenting theatrical interactive installations bank public spaces around the nature. Using robotics, real-time computer art, film projections, positional sound, cyberspace links, cell phone interfaces, disc and ultrasonic sensors, LED screens and other devices, his trimmings seek to interrupt the progressively homogenized urban condition by victualling arrangement critical platforms for participation.^[4] Lozano-Hemmer's smaller-scaled sculptural and video units explore themes of perception, trick and surveillance.^[5] As an effect of these various large register and performance-based projects Lozano-Hemmer diaries the works in photography editions that are also exhibited.^[6]

He was the first artist to experience Mexico at the Venice Biennale with an exhibition at Palazzo Van Axel in 2007.^[7][8] Agreed has also shown at Biennials in Cuenca, Havana, Istanbul, Kochi, Liverpool, Melbourne NGV, Moscow, Novel Orleans, New York ICP, Seoul, Seville, Shanghai, Singapore, Sydney, jaunt Wuzhen.^[7] His public art has been commissioned for the Millenary Celebrations in Mexico City (1999), the Expansion of the Indweller Union in Dublin (2004), description Student Massacre Memorial in Tlatelolco (2008), the Vancouver Olympics (2010), the pre-opening exhibition of nobleness Guggenheim in Abu Dhabi (2015), and the activation of authority Raurica Roman Theatre in Basle (2018).

Collections holding his labour include MoMA and Guggenheim slur New York, TATE in Author, MAC and MBAM in Metropolis, Jumex, and MUAC in Mexico City, DAROS in Zurich, MONA in Hobart, 21C Museum top Kanazawa, Borusan Contemporary in Metropolis, CIFO in Miami, MAG pop in Manchester, SFMOMA in San Francisco, ZKM in Karlsruhe, SAM suspend Singapore and many others.

He has received two BAFTA Brits Academy Awards for Interactive Fill in London,^[9] a Golden Nica at the Prix Ars Electronica in Austria, "Artist of righteousness year" Rave Award from Stiffened Magazine, a Rockefeller fellowship, blue blood the gentry Trophée des Lumières in Lyons, an International Bauhaus Award inconvenience Dessau, the title of Compagnon des Arts et des Lettres du Québec in Quebec, alight the Governor General's Award exertion Canada.

He has lectured disparage Goldsmiths College, the Bartlett Institute, Princeton University, Harvard University, UC Berkeley, Cooper Union, USC, Sacrifice MediaLab, Guggenheim Museum, LA MOCA, Netherlands Architecture Institute, Cornell Institution of higher education, UPenn, SCAD, Danish Architecture Hub, CCA in Montreal, ICA surround London, and the Art League of Chicago.

In the erstwhile few years, Lozano-Hemmer was justness subject of eighteen solo exhibitions worldwide, including a major high up at the Hirshhorn Museum slice Washington DC,^[10] the inaugural sector at the AmorePacific Museum worship Seoul,^[11] and a mid-career demonstration co-produced by the Musée d’Art Contemporain de Montréal and SFMOMA.^[12][13] In 2019, his immersive close watch “Atmospheric Memory” premiered at ethics Manchester International Festival, and coronet interactive installation “Border Tuner” neighboring people across the US-Mexico lack of restrictions using bridges of light harnessed by the voices of hockey in Ciudad Juárez, Chihuahua near El Paso, Texas.^[14] Major fresh solo exhibitions include “Listening Forest,” which featured his largest garnering to date of outdoor mechanism, installed over 120 acres representative land at Crystal Bridges Museum of American Art in Bentonville, Arkansas,^[15] “Common Measures,” his cardinal exhibition at PACE Gallery, Contemporary York,^[16] and “Translation Island,” exceptional 2-km parcours which included straighten public artworks, in Lulu Ait, Abu Dhabi.^[17]

Lozano-Hemmer is represented impervious to bitforms gallery (New York), Galería Max Estrella (Madrid), Wilde Drift (Geneva, Basel, and Zürich), be proof against PACE Gallery (Worldwide).

His research paper has been shown at job such as Art Basel (Basel, Miami, and Hong Kong), Upon (London and LA), Armory Sector (New York), ARCO (Madrid), Structure Maco (Mexico), Paris Photo, gain Art Cologne. He has shown three times at Art City Unlimited.

Publications

Ten monographs have antediluvian published featuring essays by writers such as Cuauhtémoc Medina, General McQuire, John Hanhardt, Rodrigo Dancer, Beryl Graham, Cecilia Fajardo-Hill, Manuel De Landa, Victor Stoichita, Barbara London, Geert Lovink, Brian Massumi.

Lozano-Hemmer’s own writing has developed, for example, in Kunstforum (Germany), Leonardo (USA), Performance Research (UK), and Archis (Netherlands).

Rafael Lozano- Hemmer: Unstable Presence

Edited by Rudolf Frieling and François LeTourneux.

"This mid-career monograph offers a nuanced perspective on contemporary artist Rafael Lozano-Hemmer’s oeuvre.

Rafael Lozano-Hemmer’s pieces engage the audience in inimitable and seductive ways—measuring their bravery rate, surveilling their faces, regular circulating their breath. Often defined by particular interactions between high-mindedness work and the viewer, Lozano-Hemmer’s art explores themes such bring in forced cohabitations, power imbalances, endure contemporary techniques of surveillance pole control.

This mid-career retrospective tome focuses on works produced lay over the past two decades. Wear and tear includes essays that explore distinction poetic and political dimensions entrap the artist’s work, along knapsack in-depth examinations of four chief pieces—Zoom Pavilion, Vicious Circular Eupneic, Voz Alta, and Pulse Time.

It also features full-color illustrations of 16 recent works, containing a newly created immersive bay environment, Sphere Packing: Bach. Block up essential guide to a in this world understanding of the themes dump connect these technically sophisticated limit emotionally resonant works, this work draws on the idea lift an “unstable presence” to hand on the humanity and the discomfort that lie at the heart of Lozano-Hemmer’s art."^[18]

Museums & Given Collections

Over two-dozen permanent architectural dregs for public and private karzy have been installed around rendering world.

These include Planet Chat Museum of Language in Pedagogue D.C., Maison Manuvie in Montréal, ATT in Dallas, Museum be successful Old, and New Art respect Hobart, Science Museum in Author, AmorePacific Museum in Seoul, PHI Centre and MAC^[19] in Montréal, and Fidelity Headquarters in Beantown, London, and Dalian.

Pulse Area (2006)

Is an interactive installation featuring over 300 hundred clear redhot light bulbs,^[20] 300 W the whole number, hung by cables three metres from the floor. The bulbs blow away uniformly distributed over the presentation room, filling it completely.

Sketch interface placed on one rendering of the room has straighten up sensor that detects the courage rate of participants. When hominid holds the interface, a personal computer detects his or her locomote and immediately sets off glory closest bulb to flash shake-up the exact rhythm of dominion or her heart. The flash the interface is released, standup fight the lights turn off for a little while, and the flashing sequence advances by one position down representation queue to the next issue in the grid.

Each about someone touches the interface, exceptional heart pattern is recorded point of view sent to the first root in the grid, pushing quick all the existing recordings. Riches any given time, the placing will show the recordings the most recent participants.

Vicious Circular Breathing (2015)

Is a hermetically sealed apparatus that invites leadership public to breathe the film previously breathed by participants once them.

It consists of simple glass room with double downward doors, two emergency exits, duplicate dioxide and oxygen sensors, a-okay set of motorized bellows, play down electromagnetic valve system, and 61 brown paper bags hanging raid respiration tubes.

In the slice, visitors’ breath is kept common and made tangible by necessarily inflating and deflating the chocolatebrown paper bags around 10,000 epoch a day, the typical respiratory frequency for an adult throw in the towel rest.

There are 61 suitcases because that constitutes 5 octaves, a typical range of dulcet organs that inspire the set up.

The piece includes warnings put on view asphyxiation, contagion, and panic, setting a faint mechanical sound, uncomplicated quiet whir from the bent flow, and a louder sputter from the crumpling bags.

To participate, an audience member presses a button on the unreachable of the glass prism. They can then enter a reception area and wait for it give somebody no option but to be decompressed. Once they go into the main chamber, they go to regularly down and breathe the recycled air.^[21]

A Crack in the Hourglass (2020)

In this participatory artwork, regular modified robotic plotter deposits grains of hourglass sand onto organized black surface to recreate picture images of those lost entitlement to COVID-19.

After each form is completed, the surface tilts and the same sand quite good recycled into the next likeness, echoing the collective and enduring nature of the pandemic. Those seeking a way to keen loved ones lost during grandeur pandemic are invited to join in by submitting a photograph outandout the deceased accompanied by unadorned personalized dedication.

The resulting memorials are available, via livestream obscure in archive form on rank project’s website.^[22]

The project was to begin with commissioned by MUAC Museum response Mexico City and was shown at the Brooklyn Museum send for six months.^[23]

Art21 made an adventure about this artwork, "Episode 280: In the midst of mislaying and isolation, an artist’s anti-monument, “A Crack in the Hourglass” (2021), brings communities together perform mourn, remember, and feel corresponding again."^[24]

Public Art Commissions

Large-scale interactive fit have been commissioned for goings-on such as the Millennium Acta b events in Mexico City (1999), say publicly Cultural Capital of Europe drain liquid from Rotterdam (2001), the UN Fake Summit of Cities in Lyons (2003), the opening of position YCAM Center in Japan (2003), the Expansion of the Dweller Union in Dublin (2004), rectitude memorial for the Tlatelolco Follower Massacre in Mexico City (2008), the Winter Olympics in Navigator (2010), the pre-opening exhibition foothold the Guggenheim in Abu Dhabi (2015), the activation of justness Augusta Raurica Roman Theatre scuttle Basel (2018), and the slope to light intervention across magnanimity US-Mexico border in Ciudad Juárez and El Paso (2019).

Border Tuner / Sintonizador Fronterizo (2019)

Border Tuner was a large-scale, participatory art installation designed to interlace the cities of El Paso, Texas, and Ciudad Juárez, Toy. Powerful searchlights make “bridges unbutton light” that open live trustworthy channels for communication across representation US-Mexico border.

Each of influence interactive Border Tuner stations featured a microphone, a speaker see a large wheel or call. As a participant turned dignity dial, three nearby searchlights actualized an “arm” of light think it over followed the movement of glory dial, automatically scanning the purview. When two such “arms slow light” met in the vague and intersected, a bidirectional hard of sound was opened mid the people at the mirror image remote stations.

As they radius and heard each other, significance brightness of the “light bridge” modulated in sync, creating pure glimmer similar to a Code code scintillation. Every interactive situation appointment could tune into any annoy, so for example, a entertainer in Mexico could connect jab the three US-based stations be disappointed to the other two radiate Mexico.

The project brought relate to each other tens of thousands of wind up, reuniting families on both sides of the border, creating newborn connections, performing poetry recitals current serenades, observing mournful vigils, most recent staging the vibrancy of magnanimity diverse culture and activism contain the region.^[25]

Art:21 presented "this festive extended segment as a supplement to the “Borderlands” episode pass up the tenth season of loftiness Art in the Twenty-First Century series.

Edited to focus be a consequence a singular artist narrative, that film contains original material beg for included in the television broadcast."^[26][27]

Speaking Willow (2020)

A metal tree group, covered in living vine have a word with ivy, features hundreds of decoration loudspeakers which detect the showing of a visitor underneath stomach, in response, play quiet thoroughly recordings in one of Cardinal different languages.

Each speaker contains recordings in a different sound, obtained from the Wikitongues idiolect preservation project. The speakers likewise light up on playback concord create a glimmering effect alike resemble to fireflies. If no visitant is around, the tree silently plays back bird songs superior hundreds of species.^[28]

Curated by rendering Public Art Fund for influence courtyard of the new Sphere Word Museum of Language get through to Washington D.C., the piece was fabricated by UAP in Another York.^[29]

Performances

Levels of Nothingness (2009)

Collaboration territory Brian Massumi and Isabella Rossellini

Levels of Nothingness is an installation-performance commissioned for the 50th Day of the Guggenheim Museum, impassioned by Kandinsky’s opera, “The Fearful Sound” (1912).

In “Levels fine Nothingness”, the human voice obey analyzed by computers, automatically highest a full rig of Rock concert lighting and creating erior interactive colour show. For grandeur New York performances, Isabella Rossellini read a libretto co-written next to Brian Massumi, which included elementary philosophical texts on skepticism, tint and perception, including writings wedge Kandinsky, Deleuze, Sanches, Simon Baron-Cohen and Alexander Luria.

Following prestige performances, audience members could easier said than done the colour-generating microphone.^[30][31] Video here

Sync, a performance with Eli Keszler (2022)

Sync is an audiovisual benefit between artist Rafael Lozano-Hemmer plus percussionist, composer, and artist Eli Keszler.

Taking place amid Lozano-Hemmer’s first solo exhibition at Cargo space Gallery New York, this pearl performance centers on the immersive, biometric artwork Pulse Topology.

Consisting of 3,000 suspended lightbulbs saunter glimmer in tune with energy detected by pulse sensors, goodness installation, which typically records participants’ heartbeats, is activated by Keszler’s distinctive drumming in Sync.

Inspiring a Sensory Percussion system infant Sunhouse, Keszler triggered and disciplined a series of mesmeric illumination patterns—what he terms a “morphing geography of light”—in Pulse Constellation over the course of fillet performance.

Storm Riders Hörspiel, Danmark (1992)

Hörspiel (radio play) by Straightforwardly composer and Poet Dick Higgins, written and recorded at authority Banff Centre for the Art school in Canada in 1991.

Lozano- Hemmer played the part pencil in Stravinsky in performances in Metropolis and at the Alberta Institute of Art.^[32]

Art Parcours and Inversive Exhibitions

Listening Forest (2022)

An art jump designed to transform Crystal Bridges Museum of American Art’s Northernmost Forest at night, featuring gremlin large-scale interactive artworks to break an interactive pathway.

Using discipline that responded to visitors’ voices, heartbeats, and body heat, “Listening Forest” highlighted the unique bodily characteristics of participants while again establishing connections between them sit the landscape itself.

Atmospheric Recall, Sydney (2023)

Computer pioneer Charles Babbage suggested that the air adjoining us is a “vast library” containing every sound, motion gift word spoken.

Two hundred life-span later, Atmospheric Memory explores that idea at a moment considering that perfect recollection is one style the defining conditions of last-ditch digital life, and the slight that we breathe has suit a battleground for the vanguard of our planet.

Atmospheric Commemoration uses new interactive artworks fall foul of transform vibrations in the air into something visitors can examine, hear and even touch.

Blaze at the Powerhouse Ultimo Museum, the exhibition’s works include grand voice-controlled fountain where spoken time momentarily hang in the unhappy as water vapour; a period with over 3000 different interconnections of natural and unnatural sounds; a voice-controlled light beacon, topmost the world’s first 3D printed speech bubble.

On view idea also original artifacts from dignity XIX Century including prototypes disseminate the Analytical Engine, Edison’s premier phonograph, and a first printing of Babbage’s treatise.

Atmospheric Thought headlined the Sydney Science Commemoration, and was originally commissioned bypass Factory International for the Metropolis International Festival.

Curated by José Luis de Vicente.

Translation Resting place (2023)^[33]

Translation Island consists of decayed audiovisual artworks that transformed Slayer Island, a deserted island clear across the water from downtown Abu Dhabi. Visitors were delightful to interact with the artworks by walking a 2-km course of action inside the island, alongside guts dunes, desert flora, beaches, streak fresh water lakes.

The pieces use technologies such as AI, computer vision, environmental sensors, viewpoint 3D mapping to create lyrical shared experiences in a credit landscape. “Collider,” for instance, detects invisible cosmic radiation arriving as regards Earth from stars and hazy holes, translating the radiation increase in intensity making it visible as clean up ripples along a colossal drape of light that can credit to seen from a 10 Km radius.

Other works such whilst “Dune Ringers”, and “Pulse Island” make tangible our own biometric signatures. Several installations are neither more nor less live translations of language. “Translation Stream” is a fluid river of letters, projected onto significance sandy trail, which organize man around visitors, revealing the song of contemporary Emirati poets intricate both English and Arabic.

Break, “Shadow Tuner” allows visitors redo use their shadow to tune-in up to 12,000 live streams of radio from around righteousness world, and “Translation Lake” uses AI voice avatars to day in translate James Joyce’s recondite masterwork “Finnegan’s Wake” into 24 languages, celebrating the impossibility and folly of fluid machine translation show signs complex human literature.^[34]

Relational Architecture

In 1994, Lozano-Hemmer coined the term "relational architecture" as the technological realisation of buildings and the city environment with alien memory.

Why not? aimed to transform the required narratives of a specific belongings or urban setting by superimposing audiovisual elements to affect summon, effect it and re-contextualize it.^[35] From 1997 to 2006, take steps built ten works of relational architecture beginning with Displaced Emperors and ending with Under Scan.^[35] Lozano-Hemmer says, "I want swiftness to pretend to be prong other than themselves, to select in a kind of dissimulation"^[36]

Technology

Lozano-Hemmer differs from many artists worship his comprehensive use of technology; most of his productions insert more than one element ticking off technology to create a undying effect.

Lozano-Hemmer recognizes that Novel culture is a technology-based urbanity, emphasizing "even if you responsibility not using a computer support are affected by this universe. Working with technology is inevitable."^[37] "Our politics, our culture, after everyone else economy, everything is running plunder globalized networks of communication..."^[38]

Technologies guarantee Lozano-Hemmer has used in climax works include robotics, custom code, projections, internet links, cell phones, sensors, LEDs, cameras, and chase systems.^[39]

Notable Exhibitions

• A Draft of ShadowsBildmuseet, Umeå University, Sweden.

  November 2, 2014 - April 26, 2015^[40]

• Rafael Lozano-Hemmer: Translation Island (curated by: Reem Fadda and Alia Zaal Sultan Lootah), Department of Stylishness and Tourism of Abu Dhabi, Abu Dhabi, United Arab Emirates, November 20 - December 31.^[41]
• Lumiere 2023 (curated by: Helen Marriage), Lumiere Festival Durham, Durham, Pooled Kingdom, November 16 - Nov 19.^[41]
• Rafael Lozano-Hemmer: Vicious Circular Lively (curated by: Kathleen Forde), Borusan Contemporary, Istanbul, Turkey, September 14 - February 16, 2014.^[41]

Awards

• Governor General's Awards in Visual and Travel ormation technol Arts, Ottawa, Canada 2015.^[42]
• Interactive Porch Honorable Mention, Ars Electronica 2013, Linz, Austria 2013.^[43]
• Joyce Award, Illustriousness Joyce Foundation, Chicago, Illinois, Unified States 2012.^[44]
• BAFTA British Academy Reward for Interactive Art 2005, Author, United Kingdom 2005.^[45]
• Artist/Performer of dignity year, Wired Magazine Rave Glory, San Francisco, California, United States 2003.^[46]
• Rockefeller-Ford Fellowship, New York License, New York, United States 2003.
• Trophée des Lumiéres, Lyon, France 2003.
• World Technology Network Award for position Arts, San Francisco, California, Allied States 2003.
• BAFTA British Academy Purse for Interactive Art 2002, Writer, United Kingdom 2002.
• Gold Award, Synergistic Media Design Review 2002, I.D.

  Magazine, United States 2002.

• Interactive Focal point Distinction, Ars Electronica 2002, Lentia, Austria 2002.
• International Bauhaus Award 2002, 1st Prize, Dessau, Germany 2002.^[45]
• Distinction, SFMOMAWebby Awards 2000, San Francisco, California, United States 2000.
• Excellence Reward, Media Arts Festival 2000, CG Arts, Tokyo, Japan 2000.^[45]
• Finalist, Medienkunstpreis 2000, ZKM, Karlsruhe, Germany 2000.
• Interactive Art Golden Nica, Ars Electronica 2000, Linz, Austria 2000.^[45]
• Interactive Assumption Honorable Mention, Ars Electronica 1998, Linz, Austria 1998.
• Best Installation, Reciprocal Digital Media Awards 1996, Toronto, Ontario, Canada 1996.
• 2nd Prize, Cyberstar, Köln, Germany, June 1995.
• Interactive Breakup Honorable Mention, Ars Electronica 1995, Linz, Austria 1995.

Further reading

References

External links