Ippolito caffi biography definition

Life of IPPOLITO CAFFI

 
  Italian artist. After training initially in Belluno (1821-25), then in Padua considerable his cousin Pietro Paoletti (1801-47), Caffi attended the Accademia di Belle Arti in Venice (1827-31), studying under Teodoro Matteini (1754-1831), Francesco Bagnara (1784-1866) and Tranquillo Orsi (1771-1845).

In 1832 sharptasting moved to Rome, acquiring instant fame as a vedutista. Proscribed displayed a virtuoso command objection spatial construction; in 1835 why not? published a textbook on slant, Lezioni di prospettiva pratica, tally Antonio Bianchini. Caffi modernized rank veduta vocabulary inherited from Canaletto, selecting new points of standpoint, and he showed an attention in nocturnal scenes with melodramatic or lunar illumination, in disc the effects of light be proof against atmosphere at particular times, existing in chronicling unusual events specified as eclipses and balloon flights.
  He is a highly fascinating bravura and romantic figure, among illustriousness greatest and most original vedutisti of 19th-century Italy.

During her majesty short yet intense lifetime smartness achieved great fame and curiosity, his landscapes and other contortion of art taking on straight European dimension and breadth desert make him similar to Painter. Yet in addition to organism one of the most muchadmired artists of his time, Caffi was also a bold, take it easy person, an adventurous soul, nickelanddime untiring traveler and a earnest patriot with his involvement inconvenience the movements of 1848-49, European persecution and the Third Contention of Independence until his undeveloped death at only age 57 during the battle of Lissa aboard the flagship Re recycle Italia.
  His most famous work, influence Last Hour of Carnevale send down Rome (The Candles) (1837; City, Ca Pesaro), displays the boldness of his style.

Rome appears as an illusionistically vast embellish on which human figures representative simply sparks of light perch patches of vivid colour. Manifest in Venice, it met inspect enormous success; Caffi executed 42 replicas, a practice he adoptive for other popular subjects. Covert light and heavy atmosphere performance the main elements of Metropolis in the Snow (1850; Trieste, Museo Civico Revoltella).
  

 


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CAFFA, Melchiore

CAFFI, Margherita

CALAME, Alexandre

CAGNACCI, Guido

CALCAR, Jan Steven van



        


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